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Thursday, February 19, 2026

Book Blitz: The Jolt by Alex Woolf @RealAlexWoolf @RABTBookTours




Time Travel Romance

Date Published: January 12, 2026



Time fractures. Two lives collide.

On a train journey, two strangers, Susie and Ryan, strike up a conversation. Soon afterwards, a mysterious jolt shakes the carriage and both of them black out. When they wake up, it’s still the same train—but somehow, twelve months have passed.

When Susie returns home, she finds evidence of a man sharing her flat and her bed. Ryan, just as bewildered, turns up at her door to discover he’s now her live-in lover. Susie’s friends and family have welcomed Ryan into their lives. The problem is, neither of them remembers falling in love.

As Susie and Ryan grow closer, they must ask themselves: what exactly happened to them on the train? Where have they been for the last twelve months? And if the Jolt brought them together, could it just as easily take everything away again?

Join Susie and Ryan on a journey through time, where every decision reveals a deeper mystery, and every moment challenges what they thought they knew—about their past, their future, and each other.


About the Author


Alex Woolf is an award-winning author of fiction and non-fiction for both children and adults. In his non-fiction he has written on subjects as diverse as sharks, robots, asteroids, flying reptiles and chocolate. His novels span the genres of mystery, romance, science fiction and horror. In 2024, he won a Reader’s Favorite book award for his time-loop mystery, The Year I Lived Twice. In 2021, he won the prestigious ASE award for his non-fiction book Think Like a Scientist. He also writes interactive stories for Fiction Express, three of which have won reader-voted awards. In his spare time, when not on a tennis court, Alex enjoys spending time with his wife, two grown-up children and their cats Juno and Minerva.

 

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RABT Book Tours & PR

Teaser: Stargazers by Anne Kane @AnneKane @RABTBookTours


 

Sci-Fi Romance, Romantic Intrique

Date Published: February 20, 2026


       


Five stargazers defy the odds and find love and adventure as they travel across the galaxy.
 
Descended from the witches of old Earth, Stargazers are highly sought after, both by legitimate sources and by pirates who enslave them and use their talents to bend energy to power space ships and detect people's presences from great distances.
Wanton: When Tarik's brother is captured by the Intergalactic Council, the handsome cyborg realizes he'll need the help of a Stargazer if a rescue mission is to succeed. But when he kidnaps Krystal, he's torn between rescuing his brother and his growing attraction to the talented witch.
Willful: Born both a Stargazer and Daughter-Heir to the throne of New Zanadles, Jazlyn is used to a life of pampered luxury. But when the planet runs into financial trouble, her leisurely life is replaced by a whirlwind of Intergalactic Council intrigues and the lusty attentions of her new employers.
Wild: When Stargazer Anaya stows away on a ship belonging to a cynical bounty hunter, Ryland assumes she's a runaway sex slave and offers her a choice: be returned to her master or stay and serve his every desire.
Wayward: When Abbie is kidnapped, Kat, her twin, boldly offers her services to a very sexy pirate captain in return for his help. Tore is fascinated by the sexy young Stargazer, but how far is she willing to go to save her sister?
Sinful: Breanne is on a mission is to rescue a fellow Stargazer who fell prey to pirates, and she can't do that from the brig of Roark's spaceship. When she convinces Roark they should join forces, they find out just how powerful they can be together. The pirates don't stand a chance against their combined wrath.
 
Publisher's Note: Stargazers contains the previously published novellas Wanton, Willful, Wild, Wayward and Sinful.
 
       

 

Excerpt from Wanton

Tarik watched the young woman pacing the cargo bay of his ship. Tall and willowy, she stalked the width of the cell with angry strides of long, slim legs. A short, fitted tunic did little to hide her shapely figure, and he felt a spark of heat ignite in his gut despite his mistrust of her kind. Wisps of wavy, chestnut hair escaped from the single braid that hung to her waist, and her green eyes sparkled with rage.
He felt the corner of his mouth tilt upward as she aimed a kick at the wall. He'd bet if he could hear what she was muttering, it wouldn't be very ladylike. Of course, she wasn't really a lady. Krystal de Mylar was a Stargazer, one of the few who hadn't yet sold her talents to the Intergalactic Council. Probably holding out for a better deal, he thought cynically.
The lack of military security surrounding her had made her an ideal target when he realized he needed to acquire one of the accursed witches in order to rescue his brother. Tarik's renegade status made it impossible to post a job proposal with the Stargazers' Guild, so he'd simply used his resources to plan and execute the perfect kidnapping. Unfortunately, none of his cybernetic enhancements would help him explain to the infuriated redhead why he'd spirited her away from her home without her consent.
The woman stopped pacing and pivoted to face the hovering droid, her eyes narrowed so that the green irises sparkled like gems. She'd obviously realized someone was monitoring her. A flicker of heat ran up his spine as she stood still, legs spread and hands on hips. Her mouth moved, and his attention dropped to her full, luscious lips as they moved slowly in exaggerated speech.
You are going to regret this.
It wasn't hard to read her lips. Or the threat in her eyes. He sure hoped she didn't know how to wrap the interplanetary energy lines around his neck.
"Not exactly what I'd expected." He turned to address his second-in-command. "I pictured someone older, and tougher."
Ryan grinned. "And a little less mouthwateringly attractive? Might have made it easier to deal with her. Do you want me to go in first and soften her up a bit? Your reputation with the ladies doesn't bode well for gaining her co-operation."
Tarik sighed. They'd managed to spirit Krystal out from under the noses of her parents and her bodyguards without a problem, but they needed her to co-operate if they hoped to accomplish their mission.
Stargazers could sense the energy lines that connected the stars and planets. They had the ability to grasp those lines and harness the energy for their own use. If she agreed to help them rescue his brother Cynn, all they'd need to do was narrow down his location and the witch could use the energy lines to get them in and out of Intergalactic space undetected by the patrolling warships. He didn't understand how the Stargazers accomplished it, but the results were irrefutable, which explained why the unscrupulous bastards running the Intergalactic Council made a point of hiring as many of the witches as possible.
Before his parents were murdered by the Council, they'd likened the Stargazers' abilities to the witches of Old Earth, who used the planet's ley lines to feed their magic. They'd been baffled though, by the Stargazers' tendency to accept employment with the restrictive Intergalactic Council. He sighed, running his fingers through his short hair. The longer he put this off, the angrier the witch would get.
"Get her into a set of restraints and bring her up to the interrogation chamber." He turned to leave, pausing when Ryan grabbed his arm. He looked pointedly at the offending hand, raising one eyebrow questioningly.
Ryan let go of his arm. "Restraints? Are you serious? She's already pissed. You need to convince her to help us, and treating her like a criminal isn't going to win you any brownie points."
That might be true, but he wanted her under control until she agreed to help. "Just the wrist restraints, then." He ignored Ryan's glare of disapproval. "If I understand the theory, she can't hook into the power of the energy lines without lifting her arms, so we should be safe enough."
Ryan's disbelieving snort told him what his second-in-command thought about that.
"Get her up there. Now." He issued the command in what he hoped was a stern tone, pivoting to stalk out of the room. The damn witch hadn't been on his ship for a full solar cycle and already she was causing trouble.

 

About the Author


Anne Kane lives in the beautiful Okanagan Valley with a bouncy little rescue dog whose breed defies description, a cantankerous Himalayan cat, and too many fish to count. She spent many years trying to fit in and act normal, but finally gave up the effort. She started writing romance in 2008, and her fate was sealed when she won a publishing contract with Red Sage Publishing and just a month later Changeling Press accepted her first submission. Since then she has published more than thirty stories in a variety of sub-genres, all with a happily ever after.
She has two handsome sons and six adorable grandchildren and enjoys spending time with them whenever she can. Her hobbies, when she’s not playing with the characters in her head, include kayaking, hiking, swimming, playing guitar, singing and of course, reading.
 
 
 
Publisher on Facebook, Instagram, Twitter, and TikTok: @changelingpress
 Save 15% off any order at ChangelingPress.com with code RABT15 


Pre-Order Today


RABT Book Tours & PR

Review Tour + #Giveaway: Limerence by LS Delorme @LexyShawDelorme @GoddessFish


LIMERENCE

by LS Delorme

GENRE: Paranormal SciFi Thriller


Blurb:


Kara and Dante.


You may not know them by name, but you know them by deed. You feel them in the space between dreams and reality, in the inevitable crawl of time.


They have burned continents and sunk kingdoms. They’ve been worshipped and feared. Those in power call them demons. Those above power call them monsters.


They aren’t human but they once were. To each other, they are survivors, eternal mates and lovers. Their attraction is at the very foundation of existence.


When a virus older than memory returns, Dante must find a way to contain it before it injures Kara and corrupts the fabric of reality. Ghosts vanish, worlds shift, and the laws of physics can no longer be trusted.


As reality collapses, the two must return to the origin of their timeline to face the Abomination that still lurks there.


A richly woven fantasy about power, love, identity, and the weight of rewriting the world.


Excerpt:

It wasn’t Dante’s body that marked him as weird, it was what was adorning it. On his head he had an unusually tall but dingy black stovepipe hat with a maroon band. Stuck in the band was a seven of spades Bicycle playing card. When this was added to a khaki army jacket that had seen better days, it screamed I dug my clothes out of garbage bins. His trousers were black and tight with a rather ornate codpiece that was in fashion for about fifteen minutes in Italy roughly five centuries earlier. While it was true that his overall attire was nothing short of hideous, he was proud of it. He had earned every single article of clothing on his body over the centuries. Ghosts were usually either consigned to the clothes that they died in for eternity or something basic and bland appeared on their bodies. However, in Dante’s case, each article he wore was something that he had managed to take from Malkuth, the physical world, and adapt to his in-between existence. As he forced himself to learn how to move up and down levels of existence, the clothes had followed. In all his travels, he had met no other ghost who could do what he did. So, yes, he was proud of his clothing. He was prouder still of the necklace that he wore. On it was a jet-black stone scarred with an ice-blue flaw running across it. This stone was more important than anything he wore. It was more important than anything he was. To him, it was more important than the story itself. His whole reason for torturing his soul, to make it possible to switch across resonances, was to be able to keep this stone with him at all times. Being the carrier of it terrified and humbled him in equal measure, and he wore it with pride.


My Review:

Limerence is the fifth installment in The Limerent Series by LS Delorme. I have had the privilege of reading all five volumes in this collection. I was captivated by each book right from the start.

Every narrative is immensely compelling, keeping my attention glued until the very last page. With the conclusion of each book, I found myself eagerly anticipating the next one, excited to encounter more delightful characters and delve deeper into their stories.

Limerence focuses on the journey of Dante and Kara, as well as the challenges they face in their quest to protect the world from a virus. I appreciated how they were able to perceive things that others could not—elements that likely exist among humans daily, unbeknownst to them.

The world-building in Limerence is some of the finest I have ever encountered. I had no difficulty envisioning everything vividly as it was portrayed. The descriptions were so richly crafted that I could easily visualize what Dante observed in the people around him and the turmoil within them.

Limerence presents a truly captivating universe and tale that kept me engrossed in every word as I hurried toward the conclusion—not because I wanted it to end, but because I was eager to learn everything about it.

I wholeheartedly recommend picking up a copy of Limerence today!



About the Author:

Lexy Shaw Delorme (writing as LS Delorme) is the award-winning author of The Limerent Series, a genre-defying collection of emotionally resonant novels that blend supernatural mystery, psychological thriller, historical fiction, and romantic suspense. With a background as a lawyer, pop musician, and science writer, Lexy brings intellectual depth and lyrical prose to every story she tells. Now based in Paris, she lives with her French husband and two very cool sons. Her work explores themes of limerence, memory, identity, and the echoes of past lives—and she’s not afraid to push boundaries along the way.


The Limerent Series (Books 1–4)

Caio — A supernatural romantic thriller about grief, justice, and forbidden connection.

Bright Midnights — A YA dream-thriller following a magnetic girl caught between dimensions.

Fanning Fireflies — A 1940s historical ghost story and romance centered around race, secrecy, and sacrifice.

Ghosting Academy — A high-stakes psychological thriller with VR technology, elite agents, and spiritual unraveling.

Each book is a standalone, yet interwoven through deeper cosmological themes and recurring characters.


Media Recognition & Reviews

Kirkus Reviews praised Caio as "an entertaining fantasy with a dash of macabre eroticism."

Bright Midnights received a coveted BookLife Editor’s Pick from Publishers Weekly, with critics calling it an "enthralling, character-rich narrative."

Fanning Fireflies was IndieReader Approved (4.8/5), described as "an emotionally charged, thought-provoking read."

The series has been celebrated across the book blogging world as genre-bending, hypnotic, and emotionally gripping.

Awards & Honors

Bright Midnights won the Golden Wizard Book Prize (UK) in the YA Fantasy category.

Caio received a positive “Get It” verdict from Kirkus, signaling quality and appeal.

Fanning Fireflies was awarded near-perfect marks from IndieReader, achieving critical acclaim.

Media & Events

Featured guest on BBC Radio 2 – The Gabby Roslin Show, discussing Fanning Fireflies and the mythic architecture of the series.

Interviewed on the What We Reading UK blog and spotlighted by the British Fantasy Society.

Frequent guest on virtual book tours hosted by LiterallyPR and Goddess Fish Promotions.

Upcoming panelist and moderator at C2E2 Comic Con 2025.

Reader Response

Called "a cult classic in the making" by readers.

Described as having “characters who stay with you long after the last page.”

Celebrated for blending literary depth with page-turning suspense.


Connect with LS Delorme

Giveaway:



$20 Amazon/BN GC





Follow the tour and comment; the more you comment, the better your chances of winning.


Wednesday, February 18, 2026

Book Tour + #Giveaway: The Serpent’s Series by S.Z. Estavillo @szestavillo @RABTBookTours



The Serpent Series, Book 4


Thriller

Date Published: 02-10-2026

Publisher: Oliver-Heber




An assassin bound by obedience. A detective marked for death. A cartel war with no survivors.


Von Schlange thought she’d escaped her past. Now Black Nova owns her—an elite, off-the-books task force where obedience is survival and failure means death. As their newest assassin, she’s unleashed on targets tied to Jaxon Ryker, a drug lord buried deep in the Alaskan wilds.

Her partner, Xander Holt, a former Navy SEAL with ice in his veins, lives by the same brutal code: no attachments, no lines crossed. But as missions turn bloody, the fragile boundary between partner and lover begins to blur—and desire becomes its own kind of danger.

Across the country, Detective Anaya Nazario faces a nightmare of her own. A synthetic “zombie drug,” deadlier than fentanyl and immune to Narcan, is ripping through Los Angeles. Her investigation exposes a network of dirty cops shielding Ryker’s empire—and puts a target squarely on her back.

Two women on opposite fronts. One war against corruption and cartel power. And a single truth—every betrayal leaves a body behind.


Explosive, unrelenting, and razor-sharp, The Serpent’s Order propels the Serpent Series into its most dangerous chapter yet—where justice is a myth, and survival comes at a price paid in blood.

 


Interview with S.Z. Estavillo

Could you tell us about any research trips you took for this story? Which places did you visit, and what made them essential to your writing?

For this book, I didn’t take a specific research trip, but I did a deep dive in other ways. The story required me to understand the logistics and psychology behind black-ops–style assassin groups—how they’re structured, how they operate in the shadows, and how authority, control, and secrecy function inside those worlds. That meant a lot of true-crime watching, investigative reading, and cross-referencing real cases and covert operations to ground the fiction in something believable.

Because the book is set largely in Alaska, I also spent a significant amount of time researching the region—its geography, climate, isolation, and the way remoteness changes how crime, travel, and survival work. While I didn’t physically go there, I made sure I understood enough to write it authentically. Alaska isn’t just a backdrop in this story; it shapes the tension, the danger, and the choices the characters are forced to make.

What's the strangest thing you've ever had to research online for your book?

Probably researching how different medications might interact with one another in a way that could be fatal. I was trying to understand realistic medical consequences for a fictional scenario, nothing more—but that research did not translate well online. I actually asked a question on Quora, clearly stating I was a novelist, and the responses escalated fast. People genuinely thought I was planning to murder someone. Despite explaining it was for fiction, the reactions were intense enough that I ended up deleting my Quora account entirely. It was a sharp learning lesson in how certain research questions—especially taken out of context—can look alarming. Let’s just say I no longer crowdsource that kind of research in public forums.

What research (history, mythology, science) goes into your world-building?

Definitely science—especially in my latest book. The Serpent’s Order centers around a very real and very dangerous drug often referred to as tranq dope, sometimes called the “zombie drug.” It’s a combination of fentanyl and an animal tranquilizer, and I didn’t even know it existed until I started researching for this story.

Once I discovered it, the science became essential to the worldbuilding. I needed to understand how the drug works in the body, why it’s so destructive, and what makes it uniquely dangerous. From there, I pushed the concept further for fiction—creating a more lethal strain that still felt medically plausible. That meant blending science and medicine just enough to make it believable without overwhelming the story. For me, realism sharpens the stakes, and that’s where the research really earns its place.

Have any of the people you've known, past or present, left a lasting impression on your writing journey? If so, we'd love to hear about a memorable experience that stands out to you.

Absolutely. One of the earliest moments that shaped me happened when I was in second or third grade. I was placed in a special class because I was struggling with reading, and the goal was to improve my literacy skills. Instead of drilling worksheets, the teacher had us write stories. They’d take us outside, ask us to touch leaves, feel textures, and describe what we experienced. The teacher had an English background and cared deeply about language and observation.

One day, after I turned in a short story, they looked at my work—messy handwriting, imperfect punctuation and all—and told me, very plainly, You’re going to be a writer someday. I remember being confused, even a little offended. I was young and thought success meant being a doctor or a lawyer—something practical, something that made money. Writing didn’t feel like a compliment at the time. But I never forgot that moment. That teacher saw something in me long before I could see it in myself, and that kind of belief stays with you.

Years later, that same theme repeated itself. I had a literary agent for five years and went on submission with four different manuscripts. Two of those books essentially “died on sub,” meaning they were passed over by multiple publishers and had to be shelved. After so much rejection, it wears on you. Then an editor at the small press I’m with now—Oliver-Heber—read my work and believed in it. Two of the four books that were supposed to die on sub were acquired—and that became the launch of my eight-book contract. When she told me my latest book, The Serpent’s Order (Book 4), was my best yet—that my writing was stronger, sharper—it mattered deeply.

After years of hearing no, having someone say, This is really good—this is worth publishing is powerful. That belief, whether it comes from a teacher or an editor, can carry you through a lot of doubt. Sometimes it’s exactly the validation you need to keep going.

Do you write in the same genre all the time?

Yes, I do. I’m very much a crime-thriller author. That said, I didn’t start out writing only in this genre. Earlier in my career, I experimented quite a bit—I wrote commercial fiction, offbeat dramedy, comedy-drama, straight drama, romance, and romantic comedy. One of the first books I ever took out on submission was a romantic-comedy-leaning novel, and I quickly learned how difficult that space can be to sell.

At the time, I was heavily influenced by books like The Silver Linings Playbook by Matthew Quick and This Is Where I Leave You by Jonathan Tropper—offbeat, commercial, dramedy-style stories that feel almost cinematic. Both of those novels were eventually adapted into films, and I was drawn to that tone. But when I tried writing in that lane, I realized it was a harder fit for the market—and, ultimately, not where my deepest instincts lived.

I’ve always had a strong pull toward thrillers and true crime. Part of that comes from my background. On my father’s side, law enforcement runs deep—multiple police officers in the family, a father who worked as a U.S. Border Patrol and Customs agent, and an uncle who became the highest-ranking Puerto Rican three-star officer in New York’s history. Growing up around those stories, that sense of duty, danger, and moral complexity, shaped the kinds of stories I’m naturally drawn to tell.

Once I found my footing in crime thrillers—and especially after signing my eight-book contract with a small press—I stayed firmly in that genre. It’s where my voice feels most authentic. That said, while I’m not a multi-genre writer, I am very much a multi-genre reader. I believe reading across genres makes you a stronger writer overall. You learn something different from each one—whether it’s pacing, emotional depth, structure, voice, or character—and all of that inevitably finds its way back into your work.


About the Author


As a BIPOC thriller author, she previously parted amicably with her agent and, three months later, secured an eight-book deal with Oliver-Heber Books—now boasting 24,000 downloads in its first year and a BookRaid bestseller ranking in the thriller category. The Serpent Woman (Book 2) reached #1 on Amazon and topped all three of its categories. Her background spans literary agencies and TV studios, where she contributed to greenlit screenplays that became Lifetime movies. She holds a Master’s in Television, Radio, and Film, has taught author branding workshops (L.A. Writer’s Conference, North Texas RWA), and maintains a 100K+ social media following.


Contact Links

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Purchase Link

Amazon






RABT Book Tours & PR

Teaser: Jag by Marteeka Karland @marteekakarland @RABTBookTours @changelingpress


(Kiss of Death MC)

 

Motorcycle Club Romance, Suspense, Age Gap

Date Published: February 20, 2026

 


Spending more than half my life in prison taught me how to survive, not how to live.

 

Jag -- I took the fall for my club once and it cost me everything. Freedom doesn’t feel like freedom when your past is still hunting you. Kiss of Death MC is different now. Safer. Smarter. And full of things I don’t trust. Like kindness, loyalty, and Ada. She sees too much. Asks the hard questions. And somehow makes me want things I buried a long time ago. Wanting her is dangerous. Touching her could destroy us both. But when an old enemy resurfaces and targets her to get to the club, walking away isn’t an option. I’ll protect her. Even if it costs me everything… again.

Ada -- I know the difference between monsters and men who’ve survived hell. Jag Kross is the most dangerous man I’ve ever met. And the most broken. He doesn’t want saving. He doesn’t believe he deserves love. And he definitely doesn’t want me anywhere near his darkness. Too bad. When someone starts watching me, following me, threatening everything the club protects, Jag becomes my shadow. My shield. My temptation. He says he’s not a good man. I say he’s exactly the one I want. I’m not afraid of the scars he carries. I’m afraid of what happens if he leaves.



EXCERPT

 

Jag

The gates of USP Terre Haute swung open with a mechanical groan that I’d heard a thousand times from the other side. This time, I was walking out.

The guard shoved a manila envelope into my hands without meeting my eyes. “Use your prison ID until you get your state issued ID. Inside the envelope you’ll find your release papers, a debit card with two hundred dollars. I was informed you didn’t need a ride?” He finally looked up at me, bored, and raised an eyebrow in question. When I didn’t answer, he shifted his weight with a huff. “Well?”

“Was there a question?”

“Do you have a fuckin’ ride or not, buddy?” He slapped a piece of paper down in front of me.

“What’s this?” I asked, nodding to the form.

He slapped a pen down on top of the paper. “Says you understand the terms of your release supervision and that failure to comply can, and likely will, result in an extended stay in the Hilton back here.” He hiked his thumb over his shoulder, indicating the prison.

Instead of answering him, I picked up the pen and signed my name at the bottom across the highlighted line. “Anything else?”

When the guy shook his head, I stormed out the door. I had no idea if Knuckles followed through with his promise to have guys waiting on me when I got out. I hadn’t called him, but he’d told me I wouldn’t have to. When I was released, there would be a couple of brothers from Kiss of Death to offer me a ride back to Nashville, if I wanted to go. I hadn’t really been sure if I’d take him up on the offer even if he did actually show, but when the prison asked me where I planned on setting up residence, I’d told them Nashville.

I stepped across the threshold, the highly recognizable line between captivity and freedom in the form of a smaller gate through a big-ass fucking prison gate. I squinted against the natural light. Closing my eyes, I inhaled deeply, then relaxed.

Nothing happened.

“Expecting the air outside the yard to smell different than it did inside the yard?” The guy had one elbow resting on the open window of a black F-150 in the slot two spaces over. Another, a truly massive man, rested against the bed of the truck next to the first guy, like they’d just been having a chat. He’d crossed his legs at the ankles and his arms over his chest, his pose casual.

“Jag?” the giant asked. “I’m Tiny. This is Rancor.” He was soft-spoken, his voice a gruff rumble.

I nodded once, acknowledging but not inviting further conversation.

“Ready to roll?” Tiny asked, gaze friendly.

I shrugged and nodded again, fingers digging into my palms, the sharp pain grounding me.

Tiny straightened. “Front or backseat, man?”

“Back.”

Tiny nodded respectfully, obviously expecting my choice since Rancor hadn’t offered to move. He climbed behind the wheel while I opened the back passenger-side door. I tossed the small bag holding my few possessions across the seat to the far side of the vehicle. Sitting behind the passenger left Rancor with a huge blind spot. While the driver could still watch me, he needed to watch the road, too. I didn’t think these guys meant me harm, but I also wasn’t going to get shanked my first hour out of prison.

The interior of the truck smelled like leather and tobacco. Clean. No blood. No piss. No sweat. No puke. Definitely nice for a change.

The rumble vibrated through the seat and into my bones, a foreign sensation after years of concrete and steel. Of all the things I’d missed in prison, I’d missed riding my bike the most. I’d been away for thirty-seven years. My bike had probably long since been sold off.

As we pulled away, I allowed myself one last glance at the prison. The limestone walls and razor wire had been my entire world. I’d learned to kill there. I’d learned to survive there. I’d forgotten how to live anywhere else.

Tiny met my eyes briefly in the rearview mirror. “Long ride to Nashville.” He handed me something I recognized as some kind of smart phone. I’d never held one, but I’d seen them on TV, watched as people used them in commercials or movies, when I’d been allowed to watch. Also, a few of the guards didn’t bother with the policy on no phones out of the locker rooms.

“Scroll through.” He used his finger to drag the screen upward, revealing more. Yeah, I’d seen that before from some of the guards. “It’s my social media feed. I set it to show articles you might be interested in about Nashville. I like to call it my ‘Long-Term Incarcerated’s Guide to the New World.’” I took the phone from him. “It gives you some information about our club, the shelter we help fund and protect, as well as terms you might not be familiar with. A bunch of the guys got together, at our old ladies’ insistence, and made a list of things hardest for them to adjust to when reentering society.” He shrugged. “Some of the guys found it helpful. Including me.”

I grunted. Though, I had to admit, this surprised me. I’d been worried about looking like an idiot when someone handed me something like the famed “Three Seashells” and I looked just as dumb as Stallone’s character.

I still didn’t know if I could concentrate while basically helpless in a moving vehicle with two men I didn’t know who had served time just like me. And had likely learned the same lessons I’d learned. Yeah. Concentrate fully on something right now? Not fucking likely. I kept my expression neutral and pretended to take in the material for a moment until I was sure neither of them watched me too closely. Then I turned my head to look out the window instead.

My reflection stared back at me from the glass -- hollow eyes, angular face, hair cropped close to my scalp. Prison-pale skin already burning under the unfiltered sunlight. I barely recognized myself. The man in the reflection wasn’t the one who’d gone inside. He was something else now. Something hardened and remote. Something dangerous.

An hour into the trip, the interstate rolled beneath us, mile markers ticking by like a countdown to something I wasn’t sure I was ready for. Tiny kept both hands on the wheel except when he leaned one arm on the window. Rancor sat with one arm propped on the window ledge, fingers drumming occasionally to whatever was playing low on the radio.

The silence stretched between us, but it didn’t feel uncomfortable. I thought, maybe these guys understood I needed time to adjust to friendly company. Though I couldn’t trust them yet, my respect for them grew with the care they showed for my sanity.

After another half hour of silence, other than the low music on the radio, Tiny turned his head slightly to speak to me. “Knuckles runs a tight ship. We’ve got legitimate business fronts now. Auto shop’s doing well. Custom work bringing in good money. Also help with a shelter for especially traumatized and terrorized women and children.” He shrugged. “Most of the time, we just have a couple guys stand outside the gate. Their… problems tend to give us a wide berth.” Tiny chuckled darkly.

“Legal?” I said, the word feeling strange on my tongue.

Tiny shrugged. “Mostly. Still got side hustles, but we’re careful. Knuckles makes sure of it. Shelter’s all on the up-and-up.” He spoke like the shelter was his pride and joy. I used to talk about my bike with that kind of reverence, so I knew this place meant something to the man.

There was another beat of silence before Rancor glanced at me in the rearview mirror. “We know what you did for Kiss of Death that put you behind bars.” He waited until I met and held his gaze. “That ain’t this club anymore. We have each other’s back, and no one takes the fall for anything.”

“Ain’t goin’ back.” I snarled the words before I could stop myself. “Gave my fuckin’ soul for this club once. Not sure I can do it again. If that’s a deal breaker, you can drop me off here.”

“Never said you had to, brother. Knuckles knows his people. You don’t have to prove anything. In his eyes, you’ve already proven everything he needed to see, and he’ll make sure you never go back.”

Rancor reached forward and turned up the volume slightly as “Sympathy for the Devil” came on. My fingers twitched involuntarily against my thigh. I’d had a cellmate who would sing this under his breath for hours, driving the guy in the next cell into a rage. Ended with a shank to the kidney during yard time. Though I liked the song, my cellie’s singing, not so much. And he was a dick. Fun times.

We crossed the state line into Kentucky, the landscape gradually shifting. The F-150 ate up the miles, comfortable in a way that made me uncomfortable. Too soft.

Tiny pulled into a truck stop off the interstate. “Need to fill up,” Tiny announced. “You want to stretch your legs?”

I shook my head. The thought of navigating the open space, the strangers, was all too much to attempt right now.

“Be right back,” Rancor said, unfolding himself from the passenger seat. “Taking a piss.”

I watched them through the windows as they moved around the station. Tiny pumped gas while Rancor disappeared inside, reappearing minutes later with a plastic bag.

A family pulled up at the neighboring pump, a man and woman, with two kids arguing in the back seat. The woman laughed at something the man said, her head tipping back to expose her throat. The children tumbled out, shoving at each other, voices high and piercing. One of them looked my way, curious eyes meeting mine before the mother called him back to her side.

I turned away, something hollow opening up in my chest. I’d forgotten what families looked like. Forgotten I used to want one of my own.

Tiny and Rancor returned to the truck, Tiny sliding behind the wheel while Rancor passed a plastic bag over the seat to me.

“Got you some water, sandwich, chips,” he said. “Wasn’t sure what you’d want.”

I took the bag, not meeting his eyes. The scent of barbecue sauce wafted from the bag as I opened it. “Thanks.” The word came out rusty, unused.

I opened the water first, taking a quick pull before unwrapping the sandwich and taking a bite, nearly closing my eyes in bliss as rich barbecued pork exploded across my tongue. “Christ,” I muttered.

Rancor chuckled softly. “Yeah, man. I think I had basically the same reaction to my first good meal on the outside.”

“Ain’t sure that qualifies as a good meal,” Tiny muttered.

“A ham sandwich would be better than what we got in that place.” Rancor waved off Tiny’s words. I agreed with him.

“Still fuckin’ good.” I took another bite, fumbling with the napkin when I realized I probably looked like some kind of primitive who didn’t know how to eat in civilized company. One more thing to add to the list of things to get used to again.

Another hour and we entered the outskirts of Nashville. Tiny made a call and the sound came through the car radio.

“We got a room ready for him.” I’d recognize Knuckles’ voice anywhere. The man had literally saved my sanity the short time we’d been cellies. “He’s gonna want some time to himself to transition, but I don’t want him isolated.”

“You just assume he came with us,” Rancor said, shooting Tiny an amused grin. “Maybe he said fuck off.”

Knuckles barked out a laugh. “Oh, I’m sure he told you to fuck off. Just maybe not out loud. But yeah. I’m sure he came. I know my people, Rancor.”

“I came.” Not sure why I thought I had to speak up, but Knuckles only grunted.

“Of course you did. This is your home. Rat Man did you dirty.”

“Almost there, Prez,” Tiny said. “Ten minutes.”

“Good. I’ll meet you at the main warehouse.” There was a pause. “Hannah made sure you’d have everything you need,” he continued. “She talked to every fucking guy in the place, so she and the other women could give you as comfortable a place as they could. I know you’re not a man who’d want a fuss made or anything but expect the old ladies to make sure you have plenty of home-cooked food in your fridge for when you’re hungry.”

“I -- what?”

“You heard me.”

“Yeah, and I guess I’m not sure which surprises me.”

Knuckles grunted again. “The fact that you have your own fridge, or the fact the girls bothered to stock it?”

“Both, I guess.”

“See you soon.” The call disconnected.

“Expect them to drop by often because our women can be mother hens.” Rancor continued the conversation as we turned onto a narrow, paved but crumbling road that cut between abandoned warehouses. “They won’t let you suffer in silence, no matter how often you tell them to leave. They don’t get their feelings hurt with big, surly bikers, but oddly, they usually know when to back off before they get irritating. It’s the weirdest fucking thing.”

That got a laugh from Tiny. “My two hellions haven’t figured out when to back off. Don’t expect they will either.”

“Oh, your girls know where the line is. They simply refuse to let a little thing like an imaginary line in the sand stop them.” Rancor’s grin said he enjoyed the show on more than one occasion.

I thought I might see irritation in Tiny’s expression, but instead I saw fondness and pride. Tiny loved whoever he was talking about. Likely loved the fact they didn’t stop when they should. The revelation settled something else inside me and my respect for the men grew a little more.

“Why?” I asked softly. “I feel like I’m bein’ set up or some shit. You guys don’t know me and the few who do know I ain’t a kind man.”

“Club takes care of its own,” Rancor said quietly. “Whether our own want it or not.”

Something twisted in my chest -- not pain exactly, but its close cousin. Why would anyone prepare for me? I was nobody to these people. The club had changed since I’d been a member. I doubted anyone knew me from anywhere but Terre Haute. Maybe not even then. The idea that someone had thought about what I might need, had taken time to prepare for my arrival didn’t compute with the world as I understood it.

“Don’t need special treatment,” I managed, voice rough.

Tiny chuckled, a deep, low rumble. “Ain’t special, brother. It’s baseline. You’ll see.”

The Kiss of Death compound emerged from the industrial wasteland like a fortress. Which was exactly what it was. Camo netting stretched between warehouses arranged in a defensive square, breaking up sight lines and confusing surveillance. I counted four visible cameras covering the entrance alone, probably a dozen more I couldn’t see. Smart setup. Defensible. And it was designed to keep people out. Not to hold them inside.

Tiny slowed at a reinforced gate. A guard in a booth nodded recognition, and the gate slid open. We rolled through to a big warehouse well away from the entrance to the compound.

Knuckles stood waiting at the inner entrance, arms crossed over his chest. He was built solid, heavily muscled but leaner and shorter than Tiny.

Tiny parked the truck in front of the warehouse, cutting the engine. I stepped out of the cage, feet planted firmly on the gravel. The air smelled of motor oil, leather, and something delicious cooking.

“Good to see you breathing free air,” Knuckles said, extending his hand.

I took his hand, the handshake brief but firm. His eyes held mine, assessing but not demanding. He didn’t try to establish dominance through the handshake, didn’t pump my arm or crush my fingers. Just a simple acknowledgment between equals which surprised me. Even if I were technically still part of Kiss of Death, Knuckles, as the president, outranked me significantly.

“Appreciate the welcome,” I said, the words coming easier than I expected.

Knuckles nodded, seeming to understand all I wasn’t saying. “Let’s get you settled.”

He led the way through the compound, Tiny and Rancor falling in behind us. A few club members moved about their business. They looked up as we passed, nodding respectfully but didn’t approach.

“Bottom floors of the outer buildings are club business,” Knuckles explained, voice low enough that only I could hear. “Upper floors are apartments for patched members. Inner buildings are all living quarters.

“Hannah, my woman, assigned you a unit in the east building, second floor,” Knuckles continued. “Quieter side of the compound.”

Knuckles stopped at a door at the corner of the back side of the building. He handed me a keycard. “Room’s yours as long as you want to stay. Old ladies will make sure you’re stocked. Don’t ask them to do your laundry. They will shank you.”

That got a bark of laughter out of me when I hadn’t expected to feel like smiling so soon. “I appreciate the place to crash.”

“No thanks necessary.”

The apartment was simple but far larger than any space I’d occupied in nearly four decades. A main room with a couch and coffee table. Small kitchen area with actual appliances. A window overlooking the compound below.

“Basics are all here,” Knuckles said, remaining by the door. Giving me room. “The girls brought linens and shit, so you’ve got bedding and towels. There’s probably a box of toiletries in the bathroom.” He motioned to a set of doors next to each other on one end of the room. “Bedroom and bathroom.” He pointed in the other direction. “Spare room for whatever the fuck you want to do with it.”

I moved farther into the space, checking the place out. Clean surfaces. No dust. The faint scent of something lemon. Someone had prepared this place recently, anticipating my arrival. The thought was unsettling in its kindness.

“Bathroom’s got everything you need,” Knuckles continued. “Hot water takes about thirty seconds to kick in. Pressure’s good and the shower is large. There’s also a bathtub. Anything else you need, just say the word.” He paused, watching me carefully. “When the old ladies come by to bring you more food, let them in, please.”

My head snapped up, surprised by his insight. I’d been calculating how long I could go without opening that door, how to minimize contact until I’d found my bearings.

Knuckles gave me a knowing look. “They mean well. And trust me, you don’t want to be on their bad side.”

A faint smile tugged at my lips again before I could suppress it. “Noted.”

“I’ll leave you to get settled,” Knuckles said, stepping back into the hallway. “Club meeting tomorrow at noon if you want to join. No pressure. Just know you’re welcome. When or if you’re ready to take an active role in the club, we would all welcome you to find your place with us.” He gave me another grin. “Welcome home, brother.”

He closed the door behind him with a soft click, and I was alone. Truly alone for the first time in years outside of AdSeg -- what most people call solitary confinement, or Administrative Segregation. Whatever you call it, AdSeg was the only time I didn’t have a cellmate breathing in the bunk below. No guards passing by at regular intervals. No constant background noise of men living in forced proximity.

Just silence.

I stood motionless in the center of the room. The space felt impossibly large after my cell, the silence deafening after years of constant noise.

I moved to the window, drawn by the natural light. Below, club members moved about their business. Two men working on a Harley. A woman carrying what looked like groceries toward another building. Normal life continuing in its rhythm.

My reflection stared back at me from the glass, superimposed over the scene below. A man caught between worlds, belonging to neither. The prison had released my body but kept pieces of my soul. The club had offered shelter but couldn’t give me back what I’d lost to them before. I thought I should move on, put this chapter of my life behind me, but the thought made my insides twist. Knuckles was right. Though the compound had moved location, the spirit of the club I’d first joined was within this fenced-off land. I could feel the energy all around me and it felt like home.

I placed my palm against the cool glass, watching my breath fog a small circle. Outside, the sun was setting, casting long shadows across the compound. The stranger in the glass looked back at me, equally lost in a world he no longer understood.

 


About the Author

Marteeka Karland is an international bestselling author who leads a double life as an erotic romance author by evening and a semi-domesticated housewife by day. Known for her down and dirty MC romances, Marteeka takes pleasure in spinning tales of tenacious, protective heroes and spirited, vulnerable heroines. She staunchly advocates that every character deserves a blissful ending, even, sometimes, the villains in her narratives. Her writings are speckled with intense, raw elements resulting in page-turning delight entwined with seductive escapades leading up to gratifying conclusions that elicit a sigh from her readers.

Away from the pen, Marteeka finds joy in baking and supporting her husband with their gardening activities. The late summer season is set aside for preserving the delightful harvest that springs from their combined efforts (which is mostly his efforts, but you can count it). To stay updated with Marteeka's latest adventures and forthcoming books, make sure to visit her website. Don't forget to register for her newsletter which will pepper you with a potpourri of Teeka's beloved recipes, book suggestions, autograph events, and a plethora of interesting tidbits.

 

Author on Instagram & TikTok: @marteekakarland

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Publisher on Facebook, Instagram, Twitter, and TikTok: @changelingpress

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RABT Book Tours & PR

Virtual Book Tour + #Giveaway: STONE OF DESTINY by Margaret Izard @mizardauthor @GoddessFish



This post is part of a virtual book tour organized by Goddess Fish Promotions. Margaret Izard will be awarding a Stone of Destiny Swag Box to a randomly drawn winner. Click on the tour banner to see the other stops on the tour.



Blurb: 

Bound by destiny, torn by fate—their love stood unbroken, victorious over all.

Kat MacArthur still feels the loss of her brother to another time. Seeking solace, she stumbles upon Ceallach, a Fae warrior, she’s had feelings for ever since she met him. The emotion grows stronger whenever they are together. Yet he warns her to stay away from the upcoming gathering for the Iona Stones. Kat refuses—she needs to be there to help her family and Ceallach.

Ceallach is torn between duty, magic, and the ache for mortal love. His Fae soul is sworn to protect the Iona Stones during the Gathering, but his heart is lost to Kat. With the prophecy looming, he cannot promise her forever—no matter how much he longs to. The maiden of the Iona Stones now faces sacrifice, and he fears if his beloved gets too close, he cannot save her.

When dark forces rise to take the Iona Stones along with their powers, Ceallach is forced into an impossible decision—to defy destiny or surrender to love?

 

Purchase STONE OF DESTINY on Linktree

 

Read an Excerpt


Still wearing a grin, he strode forward with confidence, and a sensuality Kat had not forgotten. The man still took her breath away with one look. Ceallach arrived before her, a smile playing on his lips. As his eyes swept across her face, the expression faltered. His brows knitted together in a frown, shadowing the sudden tension in his gaze. Reaching with his finger, he lifted a tear from her cheek, gripped his fist hard, and when opened, a small, clear teardrop-shaped gemstone sat in his palm.

“Dry yer tears, sweet Kat. Yer face is much prettier without them.” He took her hand and, with his other placed the gemstone in her palm. “When ye hold the gem, yer tears will fade, and happy thoughts shall fill yer heart.” When the stone touched her skin, her mind cleared, and a sense of ease washed over her.

Ceallach released her hand and strode past her to the doors.

Kat turned, calling after him. “Wait, why are ye here?”

The attractive Fae stopped and turned. “Dagda sent me. I’ve come to meet with the guardian of the stones. All the stones have returned. The gathering and battle of good vs evil is upon us. The gods have called, and we must answer.”

He opened the heavy oak doors without effort and strode through. The doors weight closed them, leaving Kat in the shadows again. She blinked, almost not believing her eyes and the truth before her. Her secret love had just casually strolled back into her life. Gripping the gem, he’d shaped from her tears, warmth washed over her. Ceallach was here. A smile crossed her face.

Ceallach was here.

Interview with Margaret Izard

Could you tell us about any research trips you took for this story? Which places did you visit, and what made them essential to your writing?

I visited Scotland to see the places I write about. I don’t separate research from setting—I want to stand where the history happened and let the land inform the story directly. During that trip, I visited Dunstaffnage Castle, Iona Abbey, and the Chapel in the Woods, all of which play a meaningful role in the Stones of Iona world.

Dunstaffnage Castle mattered because of its real historical connection to the legends of the land as the place where the Tuatha Dé Danann first settled, the lore I base my Fae on. Seeing it in person grounded the mythology of the series in physical reality rather than abstraction. Iona Abbey and the Chapel in the Woods carried a different kind of weight. At its height, the chapel rivaled Iona Abbey as a major religious structure, and both sites hold deep layers of faith, myth, conflict, and upheaval tied to the land and its people.

Being in those places shaped how I wrote sacred spaces, belief, and consequence throughout the series. The history isn’t decorative in my work—it presses forward into the present and onto the characters. Visiting Scotland allowed me to write Stone of Destiny with confidence, knowing the world beneath the story could support the emotional and mythic weight of the series’ conclusion.

What's the strangest thing you've ever had to research online for your book?

The strangest thing I’ve researched for a book sits at the intersection of folklore, death, and belief—how land absorbs myth and trauma and then gives it back through story. I’ve gone deep into ancient Celtic death rites, contested sacred sites, and the way religion and magic overlapped rather than replaced one another in early Scotland. That meant reading about burial practices, contested holy ground, relic theft, and how entire regions rewrote belief systems while still clinging to older gods beneath the surface.

None of it stayed abstract. I needed to understand how people lived with those contradictions daily—how faith, fear, reverence, and survival braided together. It’s strange research because it forces you to sit with uncomfortable truths about power, loss, and belief, but it’s also necessary. The worlds I write don’t sanitize history or myth, and neither can the research that feeds them.

What research (history, mythology, science) goes into your world-building?

My world-building draws from history, mythology, and place-based research, with Celtic lore at its core. I study Scottish history, especially how sacred land, belief systems, and power shifted over time, because that tension shapes how magic works in my stories. Mythology—particularly the Tuatha Dé Danann—guides the structure of the Fae world, not as decoration but as a living framework with consequence.

Have any of the people you've known, past or present, left a lasting impression on your writing journey? If so, we'd love to hear about a memorable experience that stands out to you.

My background in performance shaped my writing in lasting, very specific ways. I grew up immersed in dance, theater, and the performing arts from early childhood through college, into adulthood, and that training taught me how to tell a story through motion, timing, and emotional physicality. I approach scenes the way I once approached choreography or staging—thinking about where characters enter, how they move through a moment, when tension tightens, and when release finally comes. Emotion never lives only in dialogue for me; it lives in bodies, gestures, breath, and silence. That foundation still guides how I build pacing, character arcs, and dramatic beats on the page, and it’s why I often think of myself as “directing” a story rather than simply writing it.

Do you write in the same genre all the time?

No, I’m currently working on a contemporary romance that sprang from a writing challenge in a writing group. The challenge was to see if I could write without the paranormal aspect of romance, and I can.

If so, have you ever consider writing in another one?

See above.

Which character, supernatural or human, do you enjoy writing the most and why?

I enjoy writing the Fae the most because they never allow easy answers. They exist at the crossroads of myth, power, and consequence, and they don’t think or love the way humans do. Every choice they make carries personal, political, and mythic weight, shaped by long memory and hard rules. Writing the Fae lets me explore fate versus choice, love tested by duty, and the danger of power without balance, all while demanding precision and intention on the page.


About the Author:



Margaret Izard is an award-winning author of historical fantasy and paranormal romance novels. Her latest awards are 2024 Reader’s Favorite Honorable Mention for Stone of Love and 2024 Spring BookFest Silver Award for the same title. She spent her early years through college to adulthood dedicated to dance, theater, and performing. Over the years, she developed a love for great storytelling in different mediums. She does not waste a good story, be it movement, the spoken, or the written word. She discovered historical romance novels in middle school, which combined her desire for romance, drama, and fantasy. She writes exciting plot lines, steamy love scenes and always falls for a strong male with a soft heart. She lives in Houston, Texas, with her husband and adult triplets.

Connect with Margaret Izard


Giveaway:



a Stone of Destiny Swag Box





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