Excerpt:
I stepped to the door and knocked. Nothing. I knocked again.
Something
stirred inside.
“Yes?”
“It’s Max Nerds,” I said. It felt good to use my old name.
“Go away,” the voice said. That had to be Bero’s mother, but
she
sounded tired and very old.
“Please open the door. I’ve got some questions.”
“Leave.”
“I’ll sit on your doorstep until you speak to me.”
The sound of feet shuffling through straw drew closer and I
took a
step back. Then the door moved just enough to show the
mother’s
face. Even in the last light of the evening I saw she’d
aged a
decade, her hair hung in grayish clumps, the shadows
under
her eyes dark with fatigue. That’s how Juliana would look
one
day.
“You must leave at once,” the mother whispered. “It is
dangerous.”
I stepped closer. “What happened?”
The
mother shook her head. “Leave before you bring us
misfortune.”
“Can’t I come in for a minute?”
“Nay!” Surprisingly quickly the broad-shouldered woman
stepped
outside and scanned the path. I followed her gaze, but
didn’t
notice anything. The light was almost completely gone,
but I
knew that the people of the Middle Ages saw much better
in the
dark.
“Please go,” the mother repeated.
“Tell me what happened here. The village…”
“Shh,” the mother said. “You hear that?”
“What?”
“Someone is coming.” As quickly as she’d stepped outside,
she
disappeared and closed the door behind her. A chain rattled.
Last
time there hadn’t been one.
Then I froze.
From the direction of the Klausenhof, horses galloped my
way. I
snuck around the side of the shack toward the outhouse,
climbed
across the rickety fence and dropped to my knees.
The
pounding of hooves drew near, stopping in front of Bero’s
hut.
“He was here a moment ago,” a voice said.
“Check the Haus,” another voice commanded. There was
something
cruel and cold about it that made me shiver. Deep
down
in the recesses of my mind it sounded familiar. I bent
lower.
To celebrate the release of AT WITCHES’ END,
my publisher has reduced the eBook price of book one, THE DUKE’S WRATH, and
two, THE KID, to $0.99 each – regularly $6.99 each.
Guest
Post on Character Development
I
usually start out with one or two protagonists. These are fleshed out with
external characteristics, hair, eyes, built, walk and size. I also determine
demographics, i.e. where s/he lives/wants to live, age, family structure,
belief system (based on the historical setting) etc. More importantly I create
the emotional profile of my character such as strengths, weaknesses, worries
and what s/he wants really bad and what s/he fears most of all. Some of those
characteristics may not be complete as I start writing, but I have a pretty
good idea at the point I begin to write.
That’s
all I have. Because I’m a pantser I develop side characters – and these
sometimes creep up and become rather important – as I go. In THE DUKE’S WRATH
the idea of Bero, the pig herder, came to me pretty quickly because my
protagonist, Max, meets Bero in chapter two of book one. Many of the other
characters arrived on the scene as my brain produced them. Of course, I also
weave in the historical characters of the era my story is set in. I sometimes
wonder how my mind creates these people, but they are absolutely real to me. In
other words I can see them walk and speak. I see what they look like, their
expressions and I know what goes on inside them.